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Soundies
can be considered the precursors to music videos. Produced
generally during the years 1940 to 1946, Soundies were made to be seen
on self-contained, coin-operated, 16mm rear-projection machines called
Panorams. They were located in nightclubs, bars, restaurants and
other public places. Eight Soundies, featuring a variety of
musical performances, were generally spliced together on a reel which
ran in a continuous loop. The Panoram, a complicated and unique machine,
later served as the basis for the RCA 16mm projector.
Soundies were produced by various companies such as
Minoco and RCM Productions, headed by FDR's son James Roosevelt, Sam
Coslow a song writer and Herbert Mills, a pioneer in the development of
arcade music machines.
In order to achieve the widest possible distribution,
Soundies covered the gamut of musical styles from country and western to
Russian balalaika music, tenors singing Irish folksongs, the big band
swing music of Stan Kenton and Tommy Dorsey and jazz Greats, Fats
Waller, Count Basie, Duke Ellington and Nat King Cole.
A Soundie reel sometimes included cheesecake segments—striptease,
burlesque routines or shots of women in bathing suits—specifically
intended to attract wartime military personnel on leave. Appeals
for war bonds and other patriotic messages were included. Soundies
often starred little known performers who later became famous, such as
Alan Ladd,
Cyd Charisse,
Doris Day and Ricardo Montalban, as well as performers on their way
down. Many African-American performers like
Dorothy Dandridge,
Louis Armstrong and Stepin Fetchit, who were largely absent from
mainstream films except in minor roles, were featured.
Enjoy these full-length Soundies! |
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