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    Pathé, 1923.  Directed by 
	Fred Newmeyer, Sam Taylor.  Camera:  Walter Lundin.  With
	
	Harold Lloyd,
	
	Jobyna Ralston, John Aasen, Leo White, James Mason, Wallace Howe, Lee 
	Phelps, Gaylord Lloyd.  | 
	 
	 
	
		
		
			
					
					
					_01_small.jpg)  
			
			
			Harold Van Pelham is a rich
			hypochondriac who pops pills with ease,
			and takes delight in discovering new symptoms
			for himself.  The newspapers are observant,
			and in the local country club, the
			members read the latest, "Young millionaire
			seeks health in the quiet seclusion of
			tropics."  Harold, equipped with nurse and
			valet, arrives in Paradiso in style:  via ambulance,
			propped in bed, dressed in fashion, 
			with cigarette in mouth.  His health is
			obvious to all around him, but not to him. 
			His nurse is very attentive to his needs, yet
			wistfully dreams of him in a romantic way. 
			
			Paradiso, a normally "drowsy " island, is besieged
			by a turbulent attempt at governmental
			overthrow by an American renegade. 
			Amidst the gunfire and carnage,
			Harold walks through the streets, seeing
			the corpses as locals on siesta, and thinking
			that drooping bodies are bowing to
			him.  He tries to find the hotel, and asks
			for help from the Renegade, who thinks
			that Harold is the enemy.  The Renegade
			offers Harold a military escort (to Van Pelham's
			delight), instructing "Poner el perro
			en carrel," 
			( "Put the dog in jail"). 
			
			The visitor
			is jailed, along with "Colosso, that wild
			hermit from the mountains who almost
			wrecked our army."  Colosso is an eight-foot, nine-and-a-half-inch giant, whose
			toothache lowered his resistance to arrest. 
			Harold suggests that the two break out of
			the cell.  Colosso breaks a hole in the stone
			walls, letting Harold out first.  The two escape,
			and Harold makes a lifelong friend
			when, after several attempts, he succeeds
			in removing Colosso' s aching tooth. 
			
			Harold and Colosso now set out to curb
			the revolution ("...they'll have to stop it
			immediately.  I came down here for a
			rest"), and Colosso uses his immense
			strength to overpower every target.  "Well,
			that's done.  Now we've just time to dress
			for dinner." 
			
			The nurse, meanwhile, disguised
			as a local peasant, has been found
			by the Renegade, who makes unwanted
			advances towards her.  Harold is incensed,
			and is determined to protect her.  He uses surprising athletics 
			to rescue her from kidnapping
			and, with Colosso ' s help, defeats
			the revolution.  It is after all this, that
			Harold realizes that all his ills are imaginary,
			and that he loves his nurse ("Why
			didn't you tell me I love you?"). 
			
			In epilogue
			fashion, a year later, Harold gets the
			news that his baby has been born. joyously,
			he runs into the street, amidst the
			midday traffic, to tell the traffic cop, Colosso.  
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    The Harold Lloyd Encyclopedia, 
    by Annette D'Agostino Lloyd 
    McFarland & Company, Inc., 
 Jefferson, 
    NC and London, 2004  | 
	 
	
		
		
    
	Additional detailed information about this film is available 
	from 
	the AFI Catalog of Feature Films at
	
	
	AFI.com, or by clicking 
	here.  
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	Additional photos courtesy of Karl  | 
	 
	
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