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    Paramount, 1936.  Directed by 
	Leo McCarey. Camera:  Alfred Gilks.  With
	Harold Lloyd,
	Adolphe Menjou, 
	Verree Teasdale, Helen 
	Mack, William Gargan, George Barbier, Dorothy Wilson, Lionel Stander, 
	Charles Lane, Bull Anderson, Jim Marples, Milburn Stone, Paddy O'Flynn, 
	Henry Roquemore, Arthur S. "Pop" Byron, Eddie Dunn, Larry McGrath, Jack 
	Clifford, Jack Perry, Phil Tead, Jack Murphy, Bob Callahan, Anthony Quinn. |  
	
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					_01_small.jpg) Wilbur Austin, the owner of the Sunshine Dairy, is giving his 
			milkmen a pep talk, and congratulating those employees whose work 
			has been outstanding.  Burleigh Sullivan is not among the 
			honorees; instead, he manages to reduce the meeting to sheer mayhem 
			with the distraction of his hiccups.  Burleigh's sister, Mae, 
			works in a coat-check room in a local hotel, and often has to fight 
			off drunken patrons.  This evening, two such 
			customers wait for Mae outside, and delay her with their pranks.  
			Her brother arrives to her rescue, fighting off the men; when the 
			dust clears, Burleigh has knocked out Speed, the middleweight boxing 
			champion of the world! 
			The next morning, in a drunken haze, the champ cannot remember where 
			he got his shiner when asked: "Er, I was shadow boxing..."  The 
			headlines tell the actual tale:  Truck Driver Knocks Out 
			Champion.  Gabby Sloan, the boxing coach and promoter, arrives 
			in town when he hears of this, and is told that a giant heavyweight 
			overpowered them; he prepares that story for the arriving press.  
			When scrawny Burleigh arrives, claiming responsibility, there is 
			disbelief.  He tells of how, as a child, he learned to "duck" 
			when other children swung at him, and how, now, the art is 
			perfected.  Demonstrating, he again decks Speed, much to the 
			delight of the press, which is busy snapping pictures. 
			Later, a shocked Gabby decides to send Speed's bodyguard Spider to 
			proposition Burleigh, who is unwilling to give up his milk route, 
			and manages to get Spider jailed.  When Speed tries to convince 
			Burleigh, he is jailed, as well.  Gabby, expecting a coronary, 
			gulps down some insomnia medicine. 
			In the meantime, Burleigh is frantic when his horse, Agnes, takes 
			ill on the street; a girl named Polly lets Burleigh use her phone, 
			and is impressed by his concern, but does not know that his fear is 
			for a horse.  The next day, when Burleigh meets Polly in a 
			barber shop, she gives him a manicure, and he falls in love. 
			Gabby, later, convinces Burleigh to train and fight Speed, the 
			champ; what he does not disclose is that the whole plan is a set up, 
			with fixed matches setting up the real championship bout. The only 
			reason Burleigh agrees is because he needs hospitalization money for 
			a pregnant Agnes.  After a period of ridiculously awkward 
			training, the night of his first fight arrives, but Burleigh refuses 
			to fight without his good luck charm—a lock of Agnes' hair.  
			When that is cleared up, he wins the first round. 
			Burleigh goes on a whirlwind cross-country tour, as "Tiger" 
			Sullivan, and he wins each (fixed) fight.  When he arrives 
			home, his success has gone to his head: he has gone from meek and 
			innocent to fast-talking and overly confident, much to Polly's 
			dismay.  The championship bout is approaching, but with a 
			wrinkle:  Mae, Burleigh's sister, has fallen in love with 
			Speed, and she learns about all the fixed fights, and the plans for 
			the championship.  Despite her concern for her untalented 
			brother, she decides that a good knocking out might be a blessing 
			for Burleigh.  "Tiger" is accompanied by baby Agnes, who kicks 
			Speed in the jaw.  While tending to him, Spider accidentally 
			gives Speed a dose of Gabby's medication.  He mistakes the 
			"insomnia" medicine for "some ammonia."  Burleigh wins the 
			fight. 
			The owner of the Sunshine Dairy encourages Burleigh to retire 
			undefeated, and makes him a partner. 
			NotesGood reviews for The Milky Way:  The Film Daily, in its 
			January 28,1936, critique, wisely noted that "The show is not all 
			Lloyd's. 
			
			Adolphe Menjou, Verree Teasdale, and Lionel Stander come in for 
			some good lines which they put over in a big way."  The April 
			1, 1936, issue of Variety stated, "The role of the timid milk 
			wagon route-man who is catapulted into pugilistic fame and fortune 
			is almost made to order for Lloyd and he plays it to the hilt."
 
			Funny thing was, when The Milky Way was on Broadway, in the 
			middle of 1934, and the idea of a film adaptation was mentioned, 
			only one star was considered for the role of Burleigh Sullivan: 
			
			Jack Oakie.  According to the June 2, 1934 issue of The 
			Citizen News, "Today, everything was as it should be in regard 
			to the film version of the play. 
					 
					 
					
					_04_small.jpg) _05_small.jpg) The Hollywood studio of 
			Paramount confirmed a report that its New York representatives had 
			succeeded, after spirited bidding, in purchasing the screen rights, 
			with Oakie in mind as the featured player...Hugh O'Connell has 
			scored a smash hit in the leading role of the stage version, and 
			those who have followed Oakie's career will doubtless agree...that 
			he is the one and only actor for the picture adaptation.  The 
			plot of The Milky Way reminds one strongly of The Social 
			Lion, an early talkie in which Oakie played the role of a prize 
			fighter, and in which he made an outstanding success." 
			Indeed, many intended for parts in the film adaptation did not 
			appear in the film, with glowing substitutions:  the film was 
			originally considered for Oakie and Gertrude 
			Michael;
			
			Edward Everett Horton,
			
			Ida Lupino,
			
			Sally Blane, and Gail Patrick were replaced by
			
			Adolphe Menjou, Dorothy Wilson, Helen Mack, and Verree Teasdale. 
			
			Brian Donlevy and Max Baer were considered for leads as 
			prizefighters; the Dionne Quintuplets were expected to appear in the 
			picture, but did not. 
			The Milky Way was based on the play of 
			the same name, with ran in 1934 for 47 performances, starring Hugh 
			O'Connell as Burleigh,
			
			Brian Donlevy 
			as Speed,
			
			Gladys George as Ann, and Leo Donnelly as 
			Gabby.  Two radio adaptations:  
			Texaco Star Theatre performed an audio adaptation in 1940, with
			
			Joe E. Brown as Burleigh.  And, a little show called The 
			Harold Lloyd Cornedy Theatre gave it a go 
			over the NBC airwaves on 
			February
			18, 1945, 
			with Robert Walker 
			as Burleigh, and co-starring Jimmy Gleason 
			and Eve Arden.  The Milky Way inspired a remake, The Kid from Brooklyn (1946), starring
			
			Danny Kaye as Burleigh, Walter Abel as Gabby, Eve Arden as Ann, 
			Steve Cochran as Speed, and Lionel Stander reprising his role as 
			Spider.  The film inspired an original song, aptly titled "The 
			Milky Way," with lyrics by Tot Seymour, and music by Vee Lawnhurst,
			© 1935 
			by Popular Melodies, Inc. 
			Other songs 
			featured in the film included "She's Got a Brother" (to the tune of 
			"London Bridge"), "The Blue Danube Waltz," "For He's a Jolly Good 
			Fellow," 'Yankee Doodle Dandy," "A Hot Time in the Old Town 
			Tonight," "The Bear Went Over the Mountain," and "The Skater's 
			Waltz" (such a fun moment in the picture, as Verree Teasdale teaches 
			Harold Lloyd to spar in time with this lovely tune). 
			Production 
			on 
			The Milky Way was plagued by the health problems of
			
			Adolphe Menjou (stomach ailment), Verree Teasdale (colitis), and 
			director Leo McCarey.  Despite these, there was no real serious 
			delay.  However, there are conflicting reports on the 
			directorial pinch hitters.  
			Daily Variety 
			stated that brother Ray McCarey shot some 
			sequences, while Liberty  
			wrote that Norman McLeod (who directed
			The Kid from Brooklyn) 
			finished 
			the film. 
			As a 
			result, The Milky Way  
			cost $1,032,798.21 to 
			produce, and grossed $1,179,192.  Harold was no longer his own 
			producer, but a salaried player, for the first time since 
			1923.  Despite all the concessions, 
			Harold considered 
			the deal with Paramount a good one, for he would star in a 
			high-budget film without risking his own capital.  Another plus 
			was the choice of director:  Leo McCarey, arguably one of the 
			best, and veteran of films starring, among others,
			
			Laurel and Hardy,
			
			The Marx Brothers, and
			
			W.C. Fields.  McCarey was a quirky, talented director, who 
			found inspiration from a piano (omnipresent on his sets). He also 
			demonstrated histrionics, providing the whinny for the costarring 
			colt. 
			A humorous point in the 
			film came even before the opening credit card:  a cow appeared 
			within the famed Paramount logo, mirroring the MGM lion opening.  
			More animal trivia:  Agnes, the horse, was a "brunette" in real 
			life, requiring the makeup skills of Wally Westmore and Max Asher to 
			make her the light horse in the film. 
					 
			 
					
					_06_small.jpg) _07_small.jpg) Some points to look for 
			in this film:  Harold duplicates the famed scissor-legged jig 
			from The Freshman in his boxing technique.  Also, in his 
			boxing trunks, we get a view of the bare arm of
			
			Harold Lloyd for the first time since before his 1919 bomb 
			accident.  He had a special prosthesis designed that did not 
			utilize the garter on the upper arm, but simply masked the rubber 
			fingers.  In these scenes, Lloyd made certain that the right 
			hand was not used actively. 
			The dairy industry had a 
			field day with this, a major film centered around milk.  The 
			slogan, "Here's your Borden milk, the Milky Way to health..."
			was accompanied by a cutout of Harold on the 
			top of the bottle. 
			Harold Lloyd never 
			forgot his roots, and never forgot the people who helped him along 
			the way.  On January 10, 1907, Harold appeared in his first 
			stage play, Tess of the D'Urbervilles,
			in which Lloyd Ingraham was the stage 
			manager.  Harold returned the favor, as Ingraham was given a 
			bit part, as a barber shop customer, in The 
			Milky Way. 
			In May 1936, Harold filmed a series of 
			scenes for the Paramount melodrama 
			Hollywood Boulevard (1936), but his cameo 
			was left on the cutting room floor. |  
	
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    The Harold Lloyd Encyclopedia,by Annette D'Agostino Lloyd
 McFarland & Company, Inc.,
 Jefferson, 
    NC and London, 2004
 |  
		| 
	Additional detailed information about 
	this film is available fromthe AFI Catalog of Feature Films at
	
	
	AFI.com, or by clicking
	here.
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